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Common Ground | 1994-05-25 | 408.0 KB | 1,175 lines | [APPL/CGSL]

Vjpeg Photo - JPEG AppleMark %&'()*456789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz &'()*56789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz fY-54 />_ 3u$E pu%d~a ::0ee# "9PF_v JRPWd ;BHx;M~^W mt=cU =JJ1W> X<%)W R>OyZ yG-$r DtPV3n a55t} f(0xd^ W-u(\ Rd>^G 1Od}G N1XzKu ;b^ZI[ #\}7P 77j[hhR&i U7jQ] Eo+A, <%:xx KyGO: hYeO.MJ {kgeuy4 U~VM~ xkNKKb g<MW3 ^xu_I [iekI 2N0Jgp <~6|. q_QXi `WM:Q `V'.0p E8eu` /~$|_ tn/u+ %<+HUC\JOO 1x:x< .de#! aEj{e=_G <T.l>+_ 0>V}N ~,xi4 #R\}I 5RT/v .K%{JSJ ]CRKT ml~iA pr*uGx ZMuwu* e|}g_ CvrOA Yk}k% CMJ/fR IE^N 2Yx'_ P2Z-6w ~ xkH >y(rj QuickTime and a Photo - JPEG decompressor are needed to see this picture LB Helvetica Black elcome to Colorize Helvetica d^Colorize is a completely new program for the Graphic Arts and Prepress Industries. Its purpose *<`is to color Black and White bitmap TIFF line art images such as clip art, cartoons, ink drawings and scanned Logos. *xXImages can be saved as EPS files in a unique Colorize EPS format or they can be saved as *<aTiff files for transfer to another image manipulation program. The notes will help you to use the *<3demonstration version and work through the example. *x]The demonstration version of the program has all of Colorize s features except that it cannot *<Vopen saved images. This means that you can take scans and color them, save them as EPS *<[files and place them into your documents. However, when you print, you will see an over the image. Coloriz s benefits are: It is quick *U[Images can be colored much faster than in 32 bit color painting programs. Its tools are de- *<]signed for line art images and are easier to work with for these types of images. For example *</the brush size goes up to a massive 400 pixels. High image quality *UYColorize is designed to work with high resolution images in CMYK. There are full trapping *<:features that result in a very high quality printed image. Automatic masks *U]If the image is saved in the unique Colorize EPS format then masking is simple and automatic. *<BThere are no clipping paths needed! Very useful for company logos. *U2Colorize images can include spot or special colors *U]The Colorize format allows the easy creation of special inks as well as cyan, magenta, yellow and black combinations. Helvetica File sizes are very small *U^Colorize format EPS files are typically less than one fifth the size for the same file in CMYK EPS format. Colorize is easy to use *U^Colorize has the simplicity of a painting program.Colors go where you paint them. There are no *<?pullies or levers to manipulate to get the shape that you want. ogram requirements. d^Colorize requires System 7 to run. It also requires a monitor in 8 bit mode (256 colors or 256 shades of gray). *UcColorize uses Hard Disk space of at least four times the size of the original Tiff file while work- *<bing with the file. For example, if you scan in a 1 Megabyte tiff image then you will need at least *<^4 Megabytes of disk space for Colorize to work with this image. For each color that you add to *<1the image you will require a further 2 Megabytes. *UW8 megabytes of memory are strongly recommended to take advantage of Colorize s advanced d`Allocate Colorize as much memory as possible. Colorize will use your hard disk if it runs low on *<Ymemory but it runs much faster when it has plenty of memory. Don t use System 7 s virtual *<Imemory, Colorize s own built in Virtual Memory functions are much faster. *U(The minimum memory allocation is 2.5 Mb. Installing Coloriz daThe Colorize program disk contains six files, Colorize (the program itself), Calibration , two *<]ColorWorx Pallettes, Colorize Notes and an order form. Place all these files into a folder on *<fyour hard disk. The Calibration file is not mandatory but it will improve the color display if it is d[The Colorize folder that you have created must be placed on a hard disk with plenty of free *<^disk space. As Colorize works with images it creates temporary files on the hard disk on which *<^the program is located. If you run low on free disk space then you will not be able to manipu- late large images. *UZAdjust the preferred memory allocation of Colorize to as high a figure as possible on your *<Ucomputer. Click on the Colorize Application and select Get Info from the File menu. *U\Change only the Preferred size to as high a value as your computer will allow. For example *<Yon an 8 MB computer allow about 5 MB (5000 KB) for the Preferred size. On a 16 MB machine *<Aallow about 13MB (13000KB). Do not set the value to below 2.5 MB. *UVWhen working on large images the greatest speed gain comes from having extra memory on *<Wyou computer. A Macintosh IIsi computer with a large amount of memory will run Colorize *<Afaster than a Macintosh Quadra 950 with a small amount of memory. Helvetica dZColorize works best with your machine s Virtual Memory turned off. Colorize has its own VM *<Ofunctions and the Macintosh s Virtual Memory will cause Colorize to run slower. Getting star xample d7This is a quick example of how to color a simple image. *U^To start a Colorize image you will begin with a black and white tiff image. This will normally *<Ycome from a scan from another program. There is an example tiff file on the Colorize disk *<acalled Car Example . You may copy this file onto your hard disk or open it from the floppy disk. *UBStart Colorize. When it is running choose open from the File menu. *U]Open will allow you to select saved Colorize files, exported Colorize EPS files and black and white Tiff files. *U`Open the example tiff file. Once you have chosen a tiff file Colorize will create a new document *<Eon your screen. This new document will be untitled until you save it. *U_Initially this image has only one color, black. Add a new color to the image by double clicking *<Zon the item in the Shades window. Colorize will ask you for a name of the new color. *< Type in Car Body and click OK. *U5At this stage your Shades window will look like this: ~~~~~~ }}}}}} |||||| {{{{{{ zzzzzz yyyyyy xxxxxx wwwwww vvvvvv uuuuuu tttttt ssssss rrrrrr qqqqqq pppppp oooooo nnnnnn mmmmmm llllll kkkkkk jjjjjj iiiiii hhhhhh gggggg ffffff eeeeee dddddd cccccc bbbbbb aaaaaa `````` ______ ^^^^^^ ]]]]]] \\\\\\ [[[[[[ ZZZZZZ YYYYYY XXXXXX WWWWWW VVVVVV UUUUUU TTTTTT SSSSSS RRRRRR QQQQQQ PPPPPP OOOOOO NNNNNN MMMMMM LLLLLL KKKKKK JJJJJJ IIIIII HHHHHH GGGGGG FFFFFF EEEEEE DDDDDD CCCCCC BBBBBB AAAAAA @@@@@@ ?????? >>>>>> ====== <<<<<< ;;;;;; :::::: 999999 888888 777777 666666 555555 444444 333333 222222 111111 000000 ////// ...... ------ ,,,,,, ++++++ ****** )))))) (((((( '''''' &&&&&& %%%%%% $$$$$$ ###### """""" !!!!!! dcThis tells you that the current color is Car Body and that the source layer is Black . Therefore *<Rthe Paint to Edges tool will paint the color Car Body up the edges of the black. Helvetica @Adjust the sliders in the Colors Window to the following values. d=We will now use the fill tool to add some color to the image. *U[Choose Brush Size from the Tools menu. Change the value to 80 pixels. Click OK. The brush *<Ssize can also be changed by holding down the command button and dragging the mouse. *U`Choose Trapping from the Tools menu. This figure will initially be at 2 pixels which is a good standard value. Click OK. *UaSelect the Paint to Edges tool in the Tools window. Its the one on the right of the top line in this figure. )BTP dXNow drag the tool within the image. Position the cursor within the image, hold the mouse *<7button down and drag the mouse slowly within the image. Helvetica 5You should end up with an image that looks like this: ~ffff ffffff ffff33 ff33ff ff3333 33ffff 33ff33 3333ff 333333 wwwwww UUUUUU DDDDDD """""" d\If you go over the edges of the image don t worry. Use the Erase tool to remove the mistake. )BTP d5Continue painting the image until it looks like this: ffffff ffff33 ff33ff ff3333 33ffff 33ff33 3333ff 333333 wwwwww UUUUUU DDDDDD """""" Helvetica GYou are now ready to export the image and place it into your document. *UYFirst, choose the Erase Overlap command from the tools menu. This ensures that what you see is what you will get. *UWNow choose Export EPS from the File menu. Click OK to the Erase Overlap comment. Give *<Wthe image a file name and click . Finally you will be presented with this screen: Vjpeg Photo - JPEG AppleMark %&'()*456789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz &'()*56789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz R#7Bl9 7&h@V` $$qG$ 73+b/& cO2iYQ7; Aq}}8 mb0[} uk;{U RMB]B+6 ;q8[-J w+1?> uIJ<RLI #j0^i[d?d E.fIUIa <Mwk} 9}4j2 us4S5 I%y@5 2K}wq VYD6q xs!YaX 6iesmv .B*(U {^34S$, 0DDQ~ }.K]F sukqo Z<^ 6owq= .U5uo Ossuq" Rt/ > wgyi2 /! q: HRWk6* ~Uw[uw Y/mnadh/ @Vb?t ,.O+c /.o2X hz:|: gM3\U ^6S4wwfB% /<P<_ FPO/7 ]>d%!1 '|J]7 5;]7H $ook$ F$L`` B5c+>5 Udb26 bn2sW XLMwy sGw,6 -ln>Cl H~$x_] ]Y^[Gbc ?N"8n" f9"B_ YC ]. Rmz93 onuK}f 1n!mG^ kjaKK <]_\De 6sjqj u+j6" h*<Mwr )ks3$ 9;mw& $l[|| YyVY#:@KBu .#}oR :KidK \]Csswm- "3+H0O dvi#I- n5~!~ kXn!XX *k##i eW yt2L $r^^8o+ '7ZVMvo (I];J0 {cc,h ;{[h# ?2?C-h 9-@*j +i..m4 2_js: 6|Qf\ zKN^X -E5]Li 6mTLo VfU=n ex\Ewy ugka#[] p42z8 t[}j Z_xSI zy}.yFM 8FKGf \C,sX K;;HZy 8@Ae9} [jS\[h -l5-6 9ZUFS i[L]Bh 8th|U QuickTime and a Photo - JPEG decompressor are needed to see this picture d)For this example you can just click *<LYou now have a graphic that can be placed into your page makeup application. Color s in La dXColorize handles color images in a completely new way. The concept of keeping different *<Xcolors and shades as separate layers was developed to gain speed while manipulating high resolution line art files. *U2Line art files have the following characteristics: )/$They have large areas of flat color. )/<There is only a small number of shades in the colored image. Helvetica Selecting the color to w ork on. The Current Layer *U8Clicking on the Shades window selects the current color. *UYThe paintbrush tool will paint in this color. It won t affect any other color in any way. *<5Colors are given names purely for your own reference. The Source Layer *UZThe source layer is marked by a circular symbol in the Shades Window. In the above example *<CBlack is the Source layer. This layer is referred to by some tools. *UVYou can change the source layer by holding down the Option key and clicking on another name in the Shades Window. Adding new colors *UXDouble clicking on the new item in the shades window adds a new color to the image. This *<*new layer is initally blank with no color. *UYThe name of the color is for your own use only. The color can now be changed by adjusting *<"the controls in the Colors window. Rearranging the colors *UMDragging the names of the colors in the shades window rearranges their order. *UYIt may be necessary to change the order of the layers to work with the image. For example *<]when using the Keyline Tool the current color should be above the source color. Otherwise the *<0source will obscure the keyline that you create. *U_Before you export the file be sure to put the colors back to the correct order. They are in the *<9correct order when the image looks correct on the screen. The Current Tool *U^Select the tool that you want to use by clicking on it in the toolbox window. When selected it will be highlighted in blue. The Paint Tool *UaThis is the most basic tool. When it is used a circle of color is painted into the current layer. *<=The paint tool neither refers to nor affects any other layer. *U0Notice that it only paints in the current color. *x The Fill Tool/Paint to Edge Tool *U\This is the most commonly used tool. You will use it for example to paint a color within the bounds of a black image. *UgAny color painted with this tool will not jump past the brush radius nor any edges in the Source Layer. Helvetica Erase Tool *UUThis tool is the opposite of the Paint tool. It erases a circle in the current layer. Erase To Edges Tool *UaThis tool is similar to the Paint to Edges tool. When it is clicked it will erase a circle in the *<Ucurrent layer. This erase however will not spread past any edges in the source layer. Erase Fragment Tool *UdThis tool also erases a circle in the current layer. Its specialty is that the erasing will not jump *<-across any blank spaces in the current color. Transfer Tool *U`This tool affects both the current layer and the source layer.As you drag the Transfer Tool over *<<the source layer, color is transferred to the current layer. Transfer Fragment Tool *UdThis tool is the same as the transfer tool except that it will only transfer the fragment that it is *<=clicked on. The transfer will not leap over any blank spaces. *x Line Tool *UdThis tool is very simple. It draws a line in the selected color. The thickness of the line is set in *<2the Line Width parameter, set from the Tools menu. Key Line Tool *U_This tool draws a line just inside the edge of shapes on the source layer. The line is drawn in *<>the current color. This tool does not affect the source layer. *U>It is useful for example for turning solid text into outlines. *UbThe thickness of the line is set by the Keyline Width value. A value of 3 will produce a line that is 3 pixels thick. *x]Note that if the tool does not appear to be working then make sure you have the current layer above the source layer. Despeckle Tool *U\When this tool is dragged across an area it removes any dots smaller than a certain size. It *<Ponly affects the current layer. This tool is useful for cleaning up dirty scans. *UXNote that it cleans up white specks on black areas as well as colored specks. Change the *<MDespeckle Sensitivity to change the size of the dots that will be cleaned up. Helvetica Creating EPS files EPS File formats *U^When Export EPS is selected from the File menu Colorize will first ask for the name of the new dZThere are two file formats that Colorize can use to create EPS files. Both formats will be *<]smaller than a comparable Tiff file. The size difference will vary with the number of shades. *<_Colorize is at its most efficient with there is a small number of shades or layers. If you have *<Xcreated more than 32 layers in your image then you may have been better working with the *<"image in a 32 bit graphic program. Colorize Format *U`The advantage of this format is that it needs no clipping path. Any area left blank in the image *<*will allow the background to show through. *UXThe EPS Compression format will create smaller files and on most imagesetters will print *<Xfaster. We recommend that you try some test files on your imagesetter to see wheter this option will benefit you. *ULFiles in this format can be used for both color laser prints or separations. *UUIf your imagesetter is compatible with this format then we recommend that you use it. *U<Some imagesetters slow down when they encounter this format. *U,These RIPs have no problem with this format: d<We do not recommend using this format with these older RIPs: Linotronic RIP 3 Linotronic RIP 4 Linotronic RIP 30 dZIf your imagesetter does slow down with this format then we recommend the Separations Only Separations Only Format *UQThe benefit of this format is that it will print faster than the Colorize format. *U;There are two disadvantages to the Separations Only Format. )/OThe background of the image will appear solid white when placed into documents. )/TIf the image is sent to a color laser printer only the black separation will appear. Helvetica Expor d`The Export Tiff option will save an image in CMYK Tiff format. Double clicking on this file will *<6open it into Adobe PhotoShop if you have this program. *U]This file will normally be much bigger than either the Colorize EPS formats or Colorize s own d`Creating a Tiff file is useful if you wish to add effects to the image that only 32 bit graphics *</programs can do, such as airbrushing or blends. *UPUse the Export PhotoShop format if you want an automatic selection mask created. Expor t PhotoShop dBThis option will save the current image in Adobe PhotoShop format. *UZThe image can then be brought into Adobe PhotoShop for further manipulation such as adding blends or airbrush effects. *UaThe big advantage of the PhotoShop format over the Tiff format is that it takes a selection layer *<\with it. After opening in Adobe PhotoShop go to the option Load Selection. Adobe PhotoShop *<^will then select everywhere that you have not colored. This makes it quick and easy to drop in another background. Erase Overlap dUse of this feature will eliminate any unseen mistakes. It is quite possible for the artist to paint *<^color underneath another color. This overlap will only appear when the layer is brought to the d\When the image is separated it may show up quite clearly in an undesirable color. This func- *<+tion will eliminate these type of overlaps. *U^Note: Sometimes the artist may want this overprinting. For example if you are purposely blend- *<`ing two inks to create a third color then don t use this option. Do however carefully check your *<Twork before creating an EPS file by bringing each layer to the top and examining it. *U]The Erase Overlap function will maintain any trapping to the amount specified in the Trapping Function Keys *U5Colorize allows you to assign tools to function keys. For example: *U8Select the tool and the brush size that you want to use. *U/Then choose Set F1 from the Function Keys menu. *UZFrom now on every time you press the F1 key Colorize will select that tool and brush size. Helvetica Invert Shade *U7This command affects only the currently selected layer. *UfFor the selected layer all of the colored pixels will be turned white and all of the white pixels will be colored. Hide Shade *UQAs you add more layers to the image redrawing and other functions will slow down. *UTChoosing Hide Shade will cause Colorize to ignore this currently selected layer when *<Qredrawing. All other functions such as Erase Overlap will still affect the layer. *UZChoose Hide Shade when you have finished with a particular color and would like the screen to display faster. *UJChoosing Hide Shade a second time will cause the layer to become unhidden. Show All Shades *U2This command will make all hidden shades unhidden. *UGChoose this command when you would like to see all of the shades again. *UXYou do not need to call this command before saving or exporting. Hidden shades are still processed by these commands. Delete Shade *U:Delete shade will remove the current layer from the image. *U[This can be useful to save space. If you have accidentally added a layer to the image or no *<4longer need one of the shades then use this command. d]This setting does not change the image. It is useful for changing the way that other applica- tions view the file. *UYWhen other applications import Colorize images into their documents they will display the image at this resolution. *UaNote: the minimum resolution is 72 dpi. If you enter a lower value or if a scan has a lower value *<%the resolution will be changed to 72. Zoom In/Zoom Out *UYThese two commands will enlarge or reduce the image on the screen allowing you to work on *<%details or larger areas of the image. d_Overlapping different colors is called trapping. A small amount of trapping is important to the *<3quality of the image when it is printed on a press. Helvetica V0.25 points is a common value. Too much trapping will sometimes show up as a dark edge between the colors. *U_Colorize allows you to set the trapping value in terms of pixels. You must choose the appropri- *<6ate number of pixels for the resolution of your image. *UJThe trapping value is used by the Fill Tool and the Erase Overlap command. *U/The Transfer Tool has its own trapping setting. Transfer Trapping *U_This is the trapping value used by the transfer tool. It is separate from the standard trapping *<bbecause it will normally be set to zero. It will be rare for you to need to set this value to any- thing else. Brush Size *UgThis is the size of the tool that you are currently using. It is the radius of the circle that the tool *<]draws and is measured in pixels. The alternative method of changing the brush size is to hold *<Bdown the command key and drag the mouse to reach the desired size. Line Width *UJThis is the thickness of the line drawn by the Line Tool, given in pixels. Keyline Width *UaThis is the thickness of the line drawn around shapes by the Keyline Tool. Again it is in pixels. *x Seed Size *U`If this value is not zero then the Fill Tool will become a combination of the Paint Tool and the Fill Tool. *UcThere will be a circle at the centre of the tool that is like the Paint Tool, it simply paints any- *<bwhere. The rest of the tool is like the Fill Tool, it will only paint up to the edge of the source d^This feature may be useful when you want to use the Fill Tool over an area that is obscured by Despeckle Sensitivity *U]Changing this setting will change the size of the dots that the Despeckle Tool will remove. A *<^higher value will remove more rubbish from the scan but you run the risk of losing some of the finer detail in the scan. Helvetica Temporary Files *U^As Colorize works with an image it creates temporary files on your hard disk. These files will *<Cbe in the Colorize folder and have names that look like Tmp52962 *U[These files are deleted as soon as you close the document or when you exit Colorize. If you *<]have a problem with your machine then Colorize may leave the files on the hard disk. The next *<Ftime you run Colorize it will see these files and delete them for you. Spot Colors *x^Spot or special colors are handled in a simple fashion. To define a spot color simply create a *<Qnew layer with the color s name and check the button in the colors window. 9ffff :33ff ?ff33 @3333 ]ffff ^33ff cff33 d3333 ffffff 33ffff ff33ff 3333ff ffff33 33ff33 ff3333 333333 ++V+V+V+ V+V+V+V +V+V+V+V ++V+V+V+ V+V+V+V V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+ X}X}X}X}X}X}X}X}X}X} X}X}Y X}X}X}Y X}X}X} X}X}X}X}X}X}X}X}X}X} X}X}X}X}X}X}X}X}X}X} X}X}X}X}X}X}X}X}X}X} X}X}Y X}X}X}Y X}X}X} X}X}X}X}X}X}X}X}X}X} X}X}X}X}X}X}X}X}X}X} ststs stststt ++V+V+V ++V+V+V 9ffff :33ff ?ff33 @3333 ]ffff ^33ff cff33 d3333 ffffff 33ffff ff33ff 3333ff ffff33 33ff33 ff3333 333333 V+V+V+V +V+V+V+V ++V+V+V+ V+V+V+V +V+V+V+V +V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+|V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V+V +V+V+V+V V+V+V+V+ +V+V+V+V +V+V+V+V V+V+V+V+ +V+V+V+V d[In this case I have created a layer called and made it a spot color. When the job is *<[printed, you will get 5 separations, Process Cyan, Process Magenta, Process Yellow, Process Black and Gold. *x^Now that the layer is a spot color any other layer can be defined as being a percentage *<Yof CMYK and Gold. For example I have defined the layer Gold Inlay as being 100% Process *<[Yellow and 100% Gold. Mixing the and Process Yellow will strengthen the color of the Gold ink that the printers use. Vjpeg Photo - JPEG AppleMark %&'()*456789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz &'()*56789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz |JK31 Y--!>px =sig. dIC.U 5t_ x[ 4U?/ s "A/N] 5,FHE y"Amas MGSDxP /F{]}" {[`nt c2Iw% .#72L s_4|l 3YJgI c0x~jr ?h]ON QuickTime and a Photo - JPEG decompressor are needed to see this picture Vjpeg Photo - JPEG AppleMark %&'()*456789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz &'()*56789:CDEFGHIJSTUVWXYZcdefghijstuvwxyz [@U,@ BC!VU` JQa7S Ye,xm zBx7M )nQ!w "0 RIs"( 2K,h9a@ I!HVIR F@fiHE&>s GPo<} {yVxd2M= i(TDPK1$ -~#|) .m"tC M?4~u khuKsi 8\\Ka 5)!Q{: a*477 3A2XN Vmj;G[;9BM eX`}L_} "Amq4^Z kwuk{sq r7cvq e.~[> ];^rkT Helvetica dbNote that now that is specified as a Spot Color it appears in the list for the other layers *<+along with Cyan, Magenta, Yellow and Black. *x]Since the Spot Color is defined in the Colors window, the EPS window is now simpler. The list *<\of colors at the bottom of the window is there to show you how the colors will separate out. *xbIn this case the display is showing us that there are six layers. When the job prints it will pro- *<Zduce 5 separations or plates, Process Cyan, Process Magenta, Process Yellow, Process Black *< and Gold. *x[If you want to change the Gold from a spot color to process separations then go back to the *<,Colors window and uncheck the button. Separations Onl y Compression and C2 EPS Expor d^You can use the compression option with the Separations Only format. This will keep file sizes *<Ydown and in some cases may improve printing speeds. The new C2 EPS export option is ideal *<Yfor outputting images to Adobe or Agfa RIPS that may be causing slower printing speeds or *<Epostscript errors on images previously export in the Colorize format. wwwwww UUUUUU DDDDDD """""" Helvetica Turbo Draw *xWThis option improves the speed of the tools immensely. When it is turned on the program *<cshows only an outline of the current tool. It will not draw the effects of the tool until after you have released the mouse button. Grabber Hand *x\To access the grabber hand, simply press the space bar. The hand will appear and you will be *<.able to maneuver the image around the screen. Finding Family Colors *xaWhen you define a color in terms of a family of colors, for example the Colorworx families, it is *<Znow much easier to find a color. You can now move quickly to a desired color by typing its *<$name or code number on the keyboard. deIn this case we could have jumped quickly to this color by pressing or just or even Helvetica Import Color Pallettes *ncTo import a pallette of colors to be used regularly, first create a new image. Set up a pallette of *<Zshades in the shades menu as a master pallette. When finished, choose Save As and select *<]a name. At this point you can access this pallette by opening or creating your first image to *<Zwork on and choosing Import Shades from the Image menu. This window will prompt you to *<bselect the master shades pallette you just created. Find and select this file and all the shades *<#will appear in the shades window. Importing Colors From EPS Files *wZColorize can import Custom Colors (also called spot or special Colors) from EPS files even *<%when it cannot open the image itself. *SLThis saves the user needing to redefine Colors and possibly making mistakes. *TZThis is how the Painter example appears in Aldus FreeHand. Notice the two spot Colors that were used to define the Colors. 0f&fbf0 B" "D [UU[u *UI V 37308 RI$%T "dJPi R$&j ,B KH ]EQJBd IHBB% Q)$JU $$&I& !AUBH BJ%*$ J"BIVT $%H ? DTTPHR [R(*C R%)_IJ >$ )` #H >U EIPT &@IPH RERLE DRJQi" +%2?P LDRIh LDRIh IJBRD HDDQ1 I@FIH _HIJ!U), i"+ ? %R4$YRK BH* / Li*RB bH$I~D~h = *)V *B-BC h*!-$&F! I)JRJ %"bQ' N%%(I% RHE"H TV!I+ ! ) 1 {[}{W $DFDHDTFD BDDdFe%$ FdFFEDRD IPTEDD HUTEDD 1f_&. D@@D@ TD@D@ K*TDD 0f&fbf0 B" "D [UU[u *UI V 37308 RI$%T "dJPi R$&j ,B KH ]EQJBd IHBB% Q)$JU $$&I& !AUBH BJ%*$ J"BIVT $%H ? DTTPHR [R(*C R%)_IJ >$ )` #H >U EIPT &@IPH RERLE DRJQi" +%2?P LDRIh LDRIh IJBRD HDDQ1 I@FIH _HIJ!U), i"+ ? %R4$YRK BH* / Li*RB bH$I~D~h = *)V *B-BC h*!-$&F! I)JRJ %"bQ' N%%(I% RHE"H TV!I+ ! ) 1 {[}{W $DFDHDTFD BDDdFe%$ FdFFEDRD IPTEDD HUTEDD 1f_&. D@@D@ TD@D@ K*TDD dXThese two Colors were set up in FreeHand as follows. Other programs such as Quark Xpress *<Cand Adobe Illustrator define their Custom Colors in different ways. q88qq8q8UU 88qUq q88qq8q8UU 88qUq q88qq8q8UU 88qUq Helvetica dVThis example file has been Exported from Aldus FreeHand as an EPS file and we will now open it in Colorize. *v:Step 1 Launch Colorize and choose OPEN from the FILE menu. fdff` 0ffdc33 <ff`c33 0ff`c33 0ff`c33 0ffdc33 0>f83 TDPP@@PA dLChoose the file Painter.eps . This was the image created in Aldus FreeHand. d3Step 2 Save the Custom Colors as a new Color Family *wcColorize did not create this EPS file so it will not be able to open the image. However it will try *<\to extract any other images within the file. In this example there are Custom Colors defined *<]within the image. Colorize will ask whether you wish to save these Custom Colors for use with qtDqt@ Helvetica d:Choose NEW COLOR FAMILY from the Pop Up menu and press OK. qtDqt@(] qtDqt@E DD$DDA dKEnter the name that you wish to use for this new Color Family and press OK. d]Colorize will now save the Custom Colors as a Color Family within the Colorize Folder on your hard disk. *TWNow when you create a new image in Colorize this Color Family will be available to you. 5#38; xT@pP xT@pP <1&>2'( "@A FG63* B 8DJ xT@pP 5#38; <1&>2'( "@A FG63* temp.0001 OCR-A-Book Jane Scarano DS Designano PageMaker 4.2 ~~~~~~ }}}}}} |||||| {{{{{{ zzzzzz yyyyyy xxxxxx wwwwww vvvvvv uuuuuu tttttt ssssss rrrrrr qqqqqq pppppp oooooo nnnnnn mmmmmm llllll kkkkkk jjjjjj iiiiii hhhhhh gggggg ffffff eeeeee dddddd cccccc bbbbbb aaaaaa `````` ______ ^^^^^^ ]]]]]] \\\\\\ [[[[[[ ZZZZZZ YYYYYY XXXXXX WWWWWW VVVVVV UUUUUU TTTTTT SSSSSS RRRRRR QQQQQQ PPPPPP OOOOOO NNNNNN MMMMMM LLLLLL KKKKKK JJJJJJ IIIIII HHHHHH GGGGGG FFFFFF EEEEEE DDDDDD CCCCCC BBBBBB AAAAAA @@@@@@ ?????? >>>>>> ====== <<<<<< ;;;;;; :::::: 999999 888888 777777 666666 555555 444444 333333 222222 111111 000000 ////// ...... ------ ,,,,,, ++++++ ****** )))))) (((((( '''''' &&&&&& %%%%%% $$$$$$ ###### """""" !!!!!! ~ffff ffffff ffff33 ff33ff ff3333 33ffff 33ff33 3333ff 333333 wwwwww UUUUUU DDDDDD """""" 9ffff :33ff ?ff33 @3333 ]ffff ^33ff cff33 d3333 ffffff 33ffff ff33ff 3333ff ffff33 33ff33 ff3333 333333 wwwwww UUUUUU DDDDDD """""" Helvetica:~ LB Helvetica Black rPREC ~PRVS nFNMS